A couple of years ago in this blog, we introduced Onfim. This thirteenth century child whose drawing on a piece of bark had been discovered by chance, among other archeological findings. Thanks to a growing number of medievalists researchers over the past few years, the images left by medieval children are no longer left to chance.
The advances in child psychology have long helped parents and educators. They now benefit medievalists, and it is great news for children’s drawing conservation. Deborah Ellen Thorpe holds a PhD in Medieval Studies from the University of York (GB). In 2016, her article Young hands, old books: Drawings by children in a fourteen century manuscript, LJS, MS. 361, was published in Cogent Arts and Humanities (Taylor & Francis). In it, she meticulously and convincingly argues that the hands that drew three drawings in the margins of a centuries-old manuscript were those of children. Her observations are strongly supported by the works of several researchers in child psychology and arts education.
Other reputed medievalists, such as Seth Lere (Devotion and Defacement: Reading Children’s Marginalia, University of California Press), and Nicholas Orme (Medieval children, Yale University Press) have been instrumental in nurturing a growing interest in what medieval children have left us.
Optical illusions are so much fun. When there is a new one in town, it is time for an optical excursion. Give your dilating and contracting pupils a well deserved vacation right where you are.
Recently, three researchers have published their article The eye pupil adjusts to illusory expanding holes, in which they uncovered the new optical illusion pictured below. Bruno Laeng and Shoaib Nabil, both from the department of psychology at the University of Oslo, and Akiyoshi Kitaoka, from the same at Ritsumeikan University (Japan), “found that participants varied considerably in their perceptions of subjective expansion.” Among many other interesting observations, their study shows that pupils tend to react more to black “holes” than colored ones, in the test images. What about that? The dark side always has such an appeal it seems.
Musician, composer, conceptual artist Roger Clark Miller shared with us a drawing that he made in 1966, at fourteen. We are lucky that he is a conservationist and thankful he could show it to us and tell its story.
He calls it a GROB and considers it borderline appropriate. Indeed it feels juvenile in a full mid-teens sense, and it remains so to this day, according to the Urban Dictionary. However, little did I suspect before preparing this post, that GROB was not only the name of a German aircraft company, but also a funky philanthropic legal term (Gift with Reservation Of Benefit), as explained by lawyer Sian Davies at Co-op Legal Services in the United Kingdom. How appropriate! We are after all a registered charity. Please donate a GROB, or other gifts as you wish.
Until the end of June, when making a donation in support of our mission, you also increase our chances to win $20 000. We rely on donors to grow the collection and to preserve items in the best possible conditions. Your donation will make a difference and help us bring fantastic images to our target audiences. Please give generously.
The Great Canadian Giving Challenge is an annual initiative by CanadaHelps, a registered charity just like us.
Thank you Rachel Reesor, Program Coordinator, and the Jean Augustine Centre for hosting us at their Educate to Innovate conference in Toronto. It was wonderful to have the opportunity to introduce our organization in person to so many fine people of all ages, at the Design Exchange Building.
With this event, organizers gave a concrete demonstration that artistic creativity goes hand in hand with the creativity that fuels science and technology. Allowing families to share this common value means a lot to a community.
And to the young participant who rushed to our table at the end of the day, to contribute her pencil portrait of a dinosaur, be sure that it is safe with us and will not go extinct.
Children’s drawings can be a lot of fun and will, more often than not, bring a smile to the adult who encounters them. There is however one thing that experts seem to agree on, and it is that these images are not to be taken lightly, most of all when it comes to sharing with a child. As children reveal themselves candidly, it is everyone’s responsibility to welcome self-expression in a safe and supportive environment.
We share this video presentation recorded in October 2020, and produced by the Discovery Museum (Boston), in which Dr. Ellen Winner, Professor of Psychology at Boston College and Senior Research Associate at Project Zero, Harvard Graduate School of Education, shares her findings on the subject.
TEDx Talks also has a few short conferences on children’s drawings. This lively one, The Power of Children’s Art, by Dr Martha Skogen, designer, researcher, with a Phd is in Visual Communication from NTNU, has also a lot to show and to think about.
We were able to meet and interact with many families “unplugged” for the first time in our short history. Children and their parents could see a samples of collection items from the 1940s to 2021. Many shared their stories about their home art and a few grand parents even confided to us about well preserved treasures of their own.
June 9th is International Archives Day, that is the day we begin our annual fundraising drive all the way to International Children’s Rights Day in November. Please help us with your donation.
Please take five minutes to answer our short survey. We want to know how children’s drawings can be of interest and of use to you. Anyone can answer and the main question is: “Provide 1 to 3 examples of what you would look for in the collection. It can be as general or as specific as you like.”
We are preparing our digital solution that will make our collection searchable online. We need input from families, researchers, psychologists, historians, educators, curators, archivists, publishers, and artists.
Your answers will greatly help us for the years to come. Your input will influence the way we document and catalogue our archival objects. It will help us maximize accessibility of our collection, and our capacity to reach a diverse and dynamic group of users.
For many people with domestic animals at home, having an artful portrait of them made and proudly hung on the wall, is just one more fun thing to do with their pets. Others might instead wonder “Pet portraits, what in the world is going on?”
No matter which of those tribes you belong to, and whatever the size of your household, with or without a pet, take a moment to consider the impact domestic animals may have or have had in your life. It is true that nowadays, pet “parenting” has been largely promoted by commercial interests by what has become a huge business. At the same time, it is also true that genuine environmental concerns have impacted our way to relate to the entire animal kingdom, including species living under our roofs. As our way to relate to the natural world evolves, so does the perception of ourselves and how we relate to one another.
If you are interested in issues of lifestyle, domestic life, or parenting, we found a research paper filled with fascinating observations and conclusions about the emotional attachment with pets during childhood: “Spotlight on the psychological basis of childhood pet attachment and its implications“. In this research, published in Psychology research and behavior management (vol. 12 469-479. 28 Jun. 2019), the five authors clearly examine the notion of emotional attachment. While they confirm the benefits pets can bring to children and the whole family, in terms of teaching moments and mutual care experiences, the authors provide key insights about important factors such as the size of the family and the timing of integrating pets to the family dynamic. They do not fail to remind us that emotional attachment can also come with potentially problematic fear of loss.
On a lighter note, there is a plethora of artists available for pet portraiture. Three of them have caught our attention for you: Zann Hemphill of PawsbyZann, Astrid Colton of PetPortraitsCanada, and Lisa Howarth of TheLonelyPixel. Google Arts and Culture also offer a mobile application to make your how digital pet art. Furry, feathery, or scaly… grab your pencils and brushes and have fun.
For two years, we have longed for the moment when public health authorities would allow large gatherings and community events. The time has come and we will be so glad to meet you at the popular Gage Park, in Hamilton (Canada), on June 4th. We are proud to call Imagine in the Park our Collection Partner. We are grateful for their hospitality.
Come join the fun and visit us in person at our information table. Oh, and bring some art to contribute to the Collection!
A special thanks to BannerBuzz, for their kind support for the occasion.