Throughout the month of June, our organization takes part in the Great Canadian Giving Challenge. This country wide campaign is facilitated by our fundraising partner CanadaHelps, who will award a substantial prize to one of the participating charities. Your donation can make a huge difference for us. Please visit our online Donation Form and help us grow, thrive and save as many artefacts as possible from oblivion.
Children’s Design International Collection is an educational archives that focuses on children’s drawings and expression. Through our Collection, Conservation and Education programs, we aim to foster understanding of how children see themselves and the world. Please make a donation today.
One of the motivations for establishing our Collection, was to contribute engaging curatorial practices to conversations about cultural development. We hope that through our efforts, children have a greater say in where we are heading collectively, through their own cultural contributions. This blog entry is about culture and the underlying question “What do you make of children’s culture or culture itself for that matter?”
The current pandemic, and subordinate recession, already have profound psychological effects and will impact our cultural environment for years, maybe generations to come. The global crisis is challenging the nations’ ability to cooperate, and at the same time is triggering all sorts of antisocial impulses, while exposing many inequalities and systemic shortcomings.
During the past twenty five year or so, the notion of a culture specific to children has made its way in fields such as social psychology and anthropology. It is debatable whether the concept of “culture” should be attributed to children socializing and building common knowledge together. Even if we admit that such a culture is a fact of life, we can argue at length how autonomous from the surrounding multigenerational culture it really is. Still, how today’s children see themselves and the society in which they grow up during these circumstances, is something all of us should pay close attention to.
Before we can visit far away relatives again, re-orient our professional life, retire earlier than initially planed, or go on a leisure trip, let’s take a moment to think about what culture means to us. Assess for yourself how inclusive of children your culture is and could become. Explore in depth what professor Lawrence A. Hirschfeld says on the subject, in his stimulating article The Rutherford Atom of Culture (Journal of Cognition and Culture, 2018, p.231-261) We find him quite apropos when he says that “cultural life may demand that we hone new psychological tools to account for a kind of existence that is not individual difference writ large but literally foreign to the psychological toolbox.” Professor Hirschfeld’s articles are available online at ResearchGate, as well as OpenEditions Journals. He teaches at the Departments of Psychology and Anthropology, New School of Social Research (New York City).
There are plenty of suggestions on the web, on how to make your own paint brushes, funky or more conventional ones. We thought we’d share one of our favorites by Miss Annie on Instructables. The step by step and the photos are clear and engaging. It sure is a fine way to save on art supply spending and make one fully appreciate how personalized tools can stimulate creativity and style.
The long title of this post is: Great news from Macaire’s worldly driveway. Indeed Macaire Everett and her muse brother Camden make the news again this Spring 2021, by publishing an amazing book, filled with more than 120 full page photos of chalk drawings by Macaire.
The book The world from our driveway (on Amazon) depicts the journey of two siblings facing the imperative remote learning, imposed by the pandemic. With its behind the scene section, the book shows how what started as a home remedy against boredom, turned into a family and community effort for promoting resilience and bringing smiles and joy around the world.
Macaire had largely shared her work digitally on social media. One of our earlier posts last Summer linked to her busy Instagram. It is such a relief that Macaire’s work, though ephemeral by design, can be preserved on paper. Maybe the driveway itself will some day receive a heritage site designation from UNESCO. And we are only half kidding, because we heard that museums around the world are racing to document life during this pandemic.
The compositions are so inspired and engaging, that picking a favorite is mission impossible. With Mothers’ Day coming up, see Macaire’s touching birthday drawing to her mother. It will melt your heart. For us at the Collection, if we had to pick one, it would the one titled We are all in this together. Not only is it a propos because of the pandemic, it is also one for which Macaire digged into her own personal archives, and in which she staged herself with her muse. In this image more than in all the other ones, personal and universal appeals come together and come full circle.