Poland

Education-En

Children on art and artists

They had been asked by to draw their family, their pet, an endangered species, a war, a politician, a scientists, their solution to save the planet, and much more. Two Polish researchers asked them to draw artists, and they did not like what they saw.

Małgorzata Karczmarzyk is assistant professor at the Faculty of Social Science, University of Gdańsk (Poland). Dominika Szelągowska teaches visual arts at a high school in the same city. They are both practicing visual artists and art educators.

Their article Artists in the Eyes of Children – Semiotic Analysis of the Meanings about Artists Constructed by Children was published in Kultura i Edukacja in 2018 (No.2, pp. 131-141). The study was very small in scope with only 13 seven year old students taking part, from a few Polish towns. Favorably, each drawing was accompanied by an individual interview with the child. It would be nice to see all the drawings, and not only two.

What is so interesting about this endeavor are the questions it investigates:

  • What meanings do seven-year-old children give to the term “artist”?
  • What distinguishing features, according to children, should an artist have?
  • How can the media influence the shaping of the meanings of children about the artist?
  • How can the aestheticization influence the shaping of the meanings of children about the artist?

Not many researchers have asked children how they see art and artists. It is surprising considering that we keep hearing the carelessly overused phrase “every child is an artist.” So, this article is a precious addition to the literature.

It turns out though that the authors seem less interested in seeing and hearing what the children have to show and say, than blaming educators for children’s narrow views on art. It is as if the participants were used, rather than engaged, as to make a point about the deplorable state of art education in their schools. The beret a boy drew on the head of a painter is received as stereotypical. So is the easel a girl provides the painter she drew. They tell us that “the poor visual art awareness of tutors is to blame, no knowledge of art, their own prejudices and limitations in its reception, their own negative educational experiences.”

The authors are on a mission when they say “the ultimate purpose of the research is to obtain knowledge which will allow effective changes in education, in this case, in art education.”

The article could have been written a century ago, so much it transpires the ever-lasting tension between teaching art techniques versus free expression, the classics versus the moderns and, artists as educators versus teachers as art educators. When it comes to liking or not their answers, it begs the question, who is asking the children?

Below, a drawing found in our collection. Made by Rishi, it depicts the various formal element of drawing. As a school assignment, I would assume that the authors cited in this blog would say this type of exercise contribute to transmitting a detrimental and narrow notion of art to children.

The elements of art. By Rishi, 2020. Source: CDIC-CIDE.

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Arts and Literature, Culture and Society

Miniature art, big time!

With the successive imposition of lockdowns and access restrictions during the pandemic, artists and other creative people are rediscovering the charms of tiny art. Reports about free little galleries or FLAG, have proliferated in the past year. The Seattle Met, the Washington Post (twice), TimeOut, Urbanicity, the CBC, the Toronto Star, even the Smithsonian Magazine have all showed interest in little galleries.

According to these reports, FLAGs are already thriving across the United States in Seattle, Portland, Austin, Oakland, Phoenix Atlanta, Washington D.C., Brooklyn, Hyattsville, as well as in Edmonton and more recently Hamilton, Canada. Artist and self-proclaimed FLAG tracker Elaine Luther has spotted some in Sweden, Polan and Mexico. She created a website to help us follow the expansion of the empire.

This growing phenomenon is good news for artists. It provides a much needed outlet for their works and also a way to reach out to a diverse audience, both locally and online. It is also good news for kids and for community spirit, because it is inclusive of all sorts of works, as long as it fits the space, and everyone can leave or take a piece of their art. It is the same exchange system as the well-known free little library network.

Washington State artists are definitely leading the trend. Stacy Milrani was one of the first to launch and now seemingly has one of the busiest FLAG. Sculptor Jennyfer McNeely took the adventure to new dimensions with the creation of fictional curator Margaret Supperfield, a doll with her own Instagram account. As for long time professional doll maker, Katy Strutz, the appeal of free little galleries was irresistible.

Interestingly, this newly found passion in miniature art comes at a time when, at the supersize end of the spectrum, so called immersive art is also taking off. Now attracting renowned large museum institutions, immersive shows of images by Van Gogh, Klimt, Schiele, Klee and also contemporary artists are scheduled in places likes Miami, Atlanta, Houston, Las Vegas, Los Angeles, Toronto, Bordeau, Dubai, Shangai, Macao and Tokyo. These events use new technologies to attract new audiences to visual arts and boost tourism. Bea Mitchell’s top 11 list in her Blooloop article is enough to appreciate the contrast this is compared to miniature art.

Miniature art has long been part of major historical collections. It also never left the contemporary art scene, even if it had not been considered blockbuster by large institutions, with big buildings. The Biennale Internationale d’Art Miniature (BIAM) has presented miniature works in the small northern town of Ville-Marie, Quebec for 30 years. More than 10 countries were represented last summer. Across the pond, in Paris, visitors have a few more days to visit the Small is Beautiful exhibition. At this event by Encore Productions and Fever, 20 artists present their miniature works, and children can take part in miniature art workshops.

Pictured below is the latest free little gallery that just opened its tiny door in Hamilton, Canada. As I visited it with a limited edition contribution of my own, a local artist was already there with her own contribution. An initiative by art teacher Matt Coleman, the Mappleside Museum of Miniature Art (MMoMA) is however a bit of a misnomer. We get the pun of the acronym, but a museum usually has a collection conservation mandate, as well as educational programs, while a gallery shows art for trading purpose. The MMoMA is actually a free little gallery.

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